BEGIN:VCALENDAR VERSION:2.0 PRODID:-//jEvents 2.0 for Joomla//EN CALSCALE:GREGORIAN METHOD:PUBLISH BEGIN:VTIMEZONE TZID:America/New_York BEGIN:STANDARD DTSTART:20171105T010000 RDATE:20180311T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20181104T010000 RDATE:20190310T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20191103T010000 RDATE:20200308T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20201101T010000 RDATE:20210314T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20211107T010000 RDATE:20220313T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20221106T010000 RDATE:20230312T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20231105T010000 RDATE:20240310T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20241103T010000 RDATE:20250309T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20251102T010000 RDATE:20260308T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:STANDARD DTSTART:20261101T010000 RDATE:20270314T030000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:America/New_York EST END:STANDARD BEGIN:DAYLIGHT DTSTART:20170323T183000 RDATE:20171105T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20180311T030000 RDATE:20181104T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20190310T030000 RDATE:20191103T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20200308T030000 RDATE:20201101T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20210314T030000 RDATE:20211107T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20220313T030000 RDATE:20221106T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20230312T030000 RDATE:20231105T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20240310T030000 RDATE:20241103T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20250309T030000 RDATE:20251102T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20260308T030000 RDATE:20261101T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:0b03bfac8e7de45c9be3564e00ff1b34 CATEGORIES:Community CREATED:20221221T112634 SUMMARY:Import From Zap Calendar 12212022 - Mustard's Retreat Performs URL;VALUE=URI:https://iloveoswego.com/21258/mustards-retreat-performs.html?tmpl=component DESCRIPTION:\nMustard’s Retreat (David Tamulevich and Michael Hough), met in Ann Arbor, MI in 1974, as short order cooks, both on hiatus from their studies at the University of Michigan. Discovering a mutual interest in music/writing and performing, they put together 3 songs one day after work, and took them to the legendary Ark coffeehouse’s open mike night. They were a hit, and, on the spot, were invited back to do a 45 minute set 2 weeks later. Within a y ear and a half they had both quit the restaurant and were doing music full time. 40 years later, they have 12 highly acclaimed recordings of their own , plus 3 more CDs with their songwriting collective, The Yellow Room Gang. Mustard’s Retreat has performed more than 4,000 shows over those years, tra veled more than 1 million miles and in doing so, have earned a dedicated an d loyal following, many of whom have been coming to hear them since the 197 0s. .\nSpike Barkin, who produces the prestigious Roots of American Music F estival at New York City’s Lincoln Center, wrote to thank them for their “f olk from the heart,” going on to say it seemed like David and Michael “take your living room on the road with you and invite people in as friends.” Da vid Siglin, of Ann Arbor’s premier folk club, The Ark, where Mustard’s Retr eat did that first open mike, and have head-lined many, many times since sa id, “In order to last, there has to be more than just talent – you have to enjoy playing, enjoy audiences and enjoy being in front of them. Audiences go to your shows because they know they will be entertained.” Margie Rosenk ranz, manager of the Eighth Step at Proctor’s Theatre in Schenectady, NY, w ho has presented Mustard’s Retreat many times, said a Mustard’s Retreat sho w “reminds us why we’re doing this, pulls people together,” adding that the duo transcends the vagaries of passing trends because they remain so “in t une with the audience.”\n“I work with them several times a year and always wish it was more.” said Canadian songwriter Garnet Rogers, who also produce d their landmark recording The Wind and the Crickets. “The thing that alway s impresses me is the incredible openness they have with the audience. They stand up there and just radiate friendliness; the audience is included in the whole process, encouraged to sing along and talk back. I’ve learned a l ot from them in that sense.”\n“They are so warm and friendly and giving on stage, completely in touch with their audience,” said Tom Paxton, a folk mu sic star for more than 40 years. “There are no barriers at all, and you jus t love to watch that and be part of it. But the thing that strikes me about them from Jump Street – and that makes it all work so well – is that their time is so tight. Michael is such a wonderful, simple bass player; his tim e is just flawless. And that’s why two guys can move you musically the way they do – they have a gorgeous sense of time and tempo, a real musicality t o what they do. They’re nice guys on stage and entertaining as hell, but th ere’s also music in them.”\nWhile both Tamulevich and Hough are grounded in the early traditional 60s folk music boom, they also were influenced by th e songwriters of that time, and their shows represent an eclectic blend of music, old and new, with a big dash of storytelling. “We have never perform ed the same show twice,” says Tamulevich, “Each night is its own unique mom ent, unique audience. For us, that is the exciting thing, the magic: to cra ft a shared experience and leave people entertained and moved…and with mome nts and songs they will take away with them and remember, ponder, rediscove r; hopefully for years to come.” Many of those moments are the result of th eir well-respected and broad body of original material, written both indivi dually and together. “We take our writing very seriously.” says Tamulevich, “No matter if it is a serious or humorous song. A song is a tool to commun icate a feeling or a story, …to connect and find some common ground….and we want them to be as effective as we can make it. It is a challenge that we happily embrace. Each song is a unique puzzle, and it is fun to see where i t can and does take you as you write it. Michael and I are both very differ ent people and writers; having different strengths, and that diversity, whe n we can get it right, can make a song a whole lot richer and more effectiv e. It is a very rewarding process.”\nThose memorable songs have been a hall mark of Mustard’s Retreat from the first. The spooky, Mallon’s Bridge, that tells the story of a haunted bridge in Ireland and the midnight encounter that takes place there, has been a staple of Folk radio on Halloween since it first came out in the early 1980s. There’s A Dance Tonight celebrates lo ve and community , the poignant Part of Me Remembers, the humorous Michigan Mosquitoes, the anthemic ( Ours is a) Simple Faith and Gather the Family…t o the insightful and powerful Pay the Toll….all and more have received exte nsive airplay and many have been covered by other singers.\n“And it is stil l new, fresh, exciting….and fun” concludes Tamulevich. “We still really enj oy all of this: the writing and the performing. Audiences let us know that they enjoy it as well. They have taken our music and made it a part of thei r lives: that is the ultimate compliment, and as long as they want to see u s, we plan to keep performing.”\nDoors open at 7PM\nTickets available at Ri ver's End Bookstore or online at www.oswegomusichall.org\n$16 Advance / $18 Door \n6-12 half price\n This event was imported from: https://iloveoswego .com/21258/mustards-retreat-performs.html?tmpl=component X-ALT-DESC;FMTTYPE=text/html:

mustards retreat music hall

Mustard’s Retreat (Dav id Tamulevich and Michael Hough), met in Ann Arbor, MI in 1974, as short or der cooks, both on hiatus from their studies at the University of Michigan. Discovering a mutual interest in music/writing and performing, they put to gether 3 songs one day after work, and took them to the legendary Ark coffe ehouse’s open mike night. They were a hit, and, on the spot, were invited b ack to do a 45 minute set 2 weeks later. Within a year and a half they had both quit the restaurant and were doing music full time. 40 years later, th ey have 12 highly acclaimed recordings of their own, plus 3 more CDs with t heir songwriting collective, The Yellow Room Gang. Mustard’s Retreat has pe rformed more than 4,000 shows over those years, traveled more than 1 millio n miles and in doing so, have earned a dedicated and loyal following, many of whom have been coming to hear them since the 1970s. .
Spike Barkin, who produces the prestigious Roots of American Music Festival at New York City’s Lincoln Center, wrote to thank them for their “folk from the heart,” going on to say it seemed like David and Michael “take your living room on the road with you and invite people in as friends.” David Siglin, of Ann A rbor’s premier folk club, The Ark, where Mustard’s Retreat did that first o pen mike, and have head-lined many, many times since said, “In order to las t, there has to be more than just talent – you have to enjoy playing, enjoy audiences and enjoy being in front of them. Audiences go to your shows bec ause they know they will be entertained.” Margie Rosenkranz, manager of the Eighth Step at Proctor’s Theatre in Schenectady, NY, who has presented Mus tard’s Retreat many times, said a Mustard’s Retreat show “reminds us why we ’re doing this, pulls people together,” adding that the duo transcends the vagaries of passing trends because they remain so “in tune with the audienc e.”
“I work with them several times a year and always wish it was more .” said Canadian songwriter Garnet Rogers, who also produced their landmark recording The Wind and the Crickets. “The thing that always impresses me i s the incredible openness they have with the audience. They stand up there and just radiate friendliness; the audience is included in the whole proces s, encouraged to sing along and talk back. I’ve learned a lot from them in that sense.”
“They are so warm and friendly and giving on stage, compl etely in touch with their audience,” said Tom Paxton, a folk music star for more than 40 years. “There are no barriers at all, and you just love to wa tch that and be part of it. But the thing that strikes me about them from J ump Street – and that makes it all work so well – is that their time is so tight. Michael is such a wonderful, simple bass player; his time is just fl awless. And that’s why two guys can move you musically the way they do – th ey have a gorgeous sense of time and tempo, a real musicality to what they do. They’re nice guys on stage and entertaining as hell, but there’s also m usic in them.”
While both Tamulevich and Hough are grounded in the ear ly traditional 60s folk music boom, they also were influenced by the songwr iters of that time, and their shows represent an eclectic blend of music, o ld and new, with a big dash of storytelling. “We have never performed the s ame show twice,” says Tamulevich, “Each night is its own unique moment, uni que audience. For us, that is the exciting thing, the magic: to craft a sha red experience and leave people entertained and moved…and with moments and songs they will take away with them and remember, ponder, rediscover; hopef ully for years to come.” Many of those moments are the result of their well -respected and broad body of original material, written both individually a nd together. “We take our writing very seriously.” says Tamulevich, “No mat ter if it is a serious or humorous song. A song is a tool to communicate a feeling or a story, …to connect and find some common ground….and we want th em to be as effective as we can make it. It is a challenge that we happily embrace. Each song is a unique puzzle, and it is fun to see where it can an d does take you as you write it. Michael and I are both very different peop le and writers; having different strengths, and that diversity, when we can get it right, can make a song a whole lot richer and more effective. It is a very rewarding process.”
Those memorable songs have been a hallmark of Mustard’s Retreat from the first. The spooky, Mallon’s Bridge, that tel ls the story of a haunted bridge in Ireland and the midnight encounter that takes place there, has been a staple of Folk radio on Halloween since it f irst came out in the early 1980s. There’s A Dance Tonight celebrates love a nd community , the poignant Part of Me Remembers, the humorous Michigan Mos quitoes, the anthemic ( Ours is a) Simple Faith and Gather the Family…to th e insightful and powerful Pay the Toll….all and more have received extensiv e airplay and many have been covered by other singers.
“And it is stil l new, fresh, exciting….and fun” concludes Tamulevich. “We still really enj oy all of this: the writing and the performing. Audiences let us know that they enjoy it as well. They have taken our music and made it a part of thei r lives: that is the ultimate compliment, and as long as they want to see u s, we plan to keep performing.”
Doors open at 7PM
Tickets availab le at River's End Bookstore or online at www.oswegomusichall.org
$16 A dvance / $18 Door
6-12 half price

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